#TIFF2017 brought us Omertà, Hansal Mehta’s latest feature film. We’ve got our top reasons why Omertà is a film you need to check out!
Five years after bringing his riveting biopic Shahid to TIFF, director Hansal Mehta returned this year with another gritty fact-based drama.
Omertà — whose title refers to the Mafia code forbidding cooperation with authorities at all costs — chronicles the life of Ahmed Omar Saeed Sheikh. A British-born activist, Sheikh joined Al-Qaeda in the early ’90s to fight for Pakistani rights, kicking off a career in terrorism that most famously included kidnapping and murdering Wall Street Journal journalist Daniel Pearl in 2002.
Among other crimes, he’s also alleged to have played a role in financially facilitating the 9/11 attacks. We caught the film at this year’s festival. Here’s the scoop.
- A compelling lead.
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As he did in Shahid, star Rajkummar Rao proves a more-than-capable anchor for Mehta’s dark retelling of this true story. For the actor, though, the role posed an entirely different sort of challenge. Here, Rao is coldblooded and cerebral, with a hint of quiet menace permeating even his most civil exchanges. Any regret or self-doubt is locked away deep beneath an impenetrable outer shell. He creates an inscrutable villain, captivating in his coldness and best evidenced by one heinous visual toward the end of the picture that isn’t easy to shake.
2. Taut, brutal and unflinching.
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The film jumps back and forth in Sheikh’s life. We see his chillingly executed seduction and kidnapping of a group of tourists in India as well as to his days as a youngster in Britain protesting the Bosnian Genocide and so on. Throughout it all, Mehta trains a cold, unflinching eye on his protagonist while adroitly ratcheting up the tension as his exploits become ever more daring and vicious. This is not a film that sets out to humanize Sheikh but, instead, to viscerally chronicle his deeds and the extremism that begat them.
3. A hard watch.
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Rao’s charisma and Mehta’s practiced hand guiding the camera go a long way to keep this inherently bleak affair compelling. Still, they have created an oppressively dark, cold world here that will be tough for some filmgoers to sit through — even at a brisk 96-minute runtime.
What’s more, when the action shifts to a less compelling subplot or the focus turns to an actor who’s not quite on the same level as Rao (and there are a few), momentum starts to wobble and wane. But on the whole, if you don’t mind a challenge, Omertà is an expertly lensed, compellingly acted affair.
Main Image Photo Credit: Tiff.net
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Matthew Currie
Author
A long-standing entertainment journalist, Currie is a graduate of the Professional Writing program at Toronto’s York University. He has spent the past number of years working as a freelancer for ANOKHI and for diverse publications such as Sharp, TV Week, CAA’s Westworld and BC Business. Currie ...